Corporate and Special Event Video Production

Filming Shows and Performances Los Angeles Videographer

Back for our third year filming at Redondo Beach performing arts center for Nuestras Raices’ incredible Baile Folklorico. Feel the energy of this short, vibrant two minute clip as dresses flair to the beat of well-practiced zapateado, the best in Mexican dance! Filmed with three Sony Cine Alta cameras, this clip shows just how compatible the EX 1R, PXW  X200 and the PXW Z280 can be. The backstage camera was mounted on a short crane for some dramatic elevated views of the dancers. Enjoy!

Video Testimonials for L.A. and O.C. Businesses

I’m frequently asked to record video testimonials for business owners, like the ones seen below recorded for Simon Lusky, a business broker. Simon had just concluded a successful transaction between buyer and seller. The clients were happy with Simon’s work on their behalf, and gladly consented to these three short testimonials.

The filming came together very quickly with only one day’s notice. I’m fine with that and enjoy the challenge of  ‘running and gunning’…on the road right after the call comes in. On the drive to the business location Simon and I worked out the questions that I would ask during the interviews. I scouted the best location for the shoot immediately upon arriving. The interviews had to be completed as quickly as possible; everyone was a bit ‘edgy’, not so much with being on camera, but rather with the pending move. Everything was in transition and disarray with the pending move of the business and change of ownership. I cleaned up the set a bit and was off and running.

I set a couple of large LED lights and guided each speaker through the interviews encouraging short sound bites so I would be able to change frame after each sentence or two. That would allow for easier cuts in the editing. I filmed with my new Sony PXW Z280 in 4K video. Within two hours of filming I delivered the finished video seen below to Simon who was so pleased with the results, he’s likely to become the next testimonial for my own company, 24KT! Enjoy!

Me and My Sony Z280 at Averill Park, San Pedro CA

Averill Park in 4K video as you’ve never seen it! Filming in 4K with my Sony Z280 makes super sharp, richly colored video a snap. So pleased with these results and the superb quality I’ll be able to bring to my clients’ videos. Enjoy these 6 relaxing, peaceful, gorgeous moments.

Sony PXW Z280 Low Light 4K to 1080P Demo Clip

Low light video test of Sony’s PXW Z280. Original 4K clips seen here were rendered to 1080P. Light sources are candles and a small LED light stragetically placed. Color and contrast have been enhanced in post. Gain was kept to a minimum, -3DB most shots to reduce noise. Very happy with the performance of this camera! Brilliantly clear, vibrant images.

 

 

Sony PXW Z280 Sample 4K Footage

For those contemplating purchasing the Sony Z280 I’ve posted some backyard footage shot in 4K and rendered to a 1080p MP4 file. During filming the f stop was manually set to f 1.9; the auto electronic ND filter was set to ‘on’. Auto focus is on. The resolution is beautiful, the color is vibrant. Enjoy!

Review Sony PXW Z280 Features Worth Paying For

Field testing the Auto Electronic ND,  Facial Recognition Focus, Digital Zoom and Low Light Capability
By Marc Gold, 24KT Sound & Video

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Just starting to get comfortable with the menus and buttons of my new Z280, practicing a bit every day so that I can change settings “by feel” in a darker theater or reception venue, places where I film frequently. It was a short learning curve for me having come from the EX1 to the EX1R to the PXW X200, and now to the Z280. The overall menu layout and the user buttons on the left side of the camera felt very familiar to me.

The features of the camera that I enjoy most, and the primary reasons why I purchased this camera are the AUTO ELECTRONIC ND filter, the f1.9 LOW LIGHT CAPABILITY, DIGITAL EXTENDER and FACIAL RECOGNITION AUTO FOCUS.

AUTO ELECTRONIC ND FILTER: It’s pretty amazing to be able to manually vary the ND filter density while holding constant an f1.9 wide-open aperature, or having the camera automatically vary it for me. Be aware that for the auto electronic ND Filter to work, you must set the ND filter switch to one of the 3 available positions. This function will not work in the “clear” position.

By setting the ND filter switch to position 1, 2, or 3, flipping the ND variable/preset switch to variable and setting the ND menu setting to manual, rotating the ND filter wheel changes the density of the ND filter in a range of 1/4 to 1/128 without changing the f-stop. As expected, depth of field can be manually increased or decreased by varying the density of the ND filter, particularly with a wide open aperature. (f1.9)

By selecting the “auto” ND menu setting the Z280 adjusts the ND filter density automatically, depending on the amount of light entering the lens. Your manually set f-stop still remains constant.

Moving the camera, for example, from a darker image on my patio to the bright sky, the camera will adjust the ND filter appropriately from 1/4 to 1/128 automatically. If the sky is still too bright at 1/128, you can further alter the exposure by rotating the iris ring until the image looks good to you.

Because I use the electronic ND frequently, changing back and forth from manual to auto, I found it convenient to assign this function to a user preset button.

FACIAL RECOGNITION: I took my Z280 out for its debut performance to film a show at a local theater, anxious to try out the facial recognition focus feature. I have a user preset button assigned to change the settings of this feature quickly. Available settings are AF off, face priority AF and face only AF. According to the user manual the face priority AF, when it finds a face, focuses on that face. When the face is no longer detectable, auto focus mode is engaged. If there are multiple faces detected the Z280 will select another face automatically if its first target is no longer detected. The process is seamless and very accurate. I filmed the entire show using this feature and it worked flawlessly. Not a single scene was out of focus.

In “face only AF” the accuracy of focusing is equally fast and accurate, but when the face is no longer detected, focus is lost; it doesn’t automatically switch to auto focus, exactly as explained in the manual.

The DIGITAL ZOOM is another feature that is indispensable in filming theater productions. I have it set to a preset button and can quickly double the zoom on a subject with great-looking results. If you’ve set the “center marker” in your viewfinder, aim the + at the part of the image you’d like to zoom in on and remain in frame to be sure you’re magnifying the right part of your image because the picture gets cropped considerably, but the results are crystal clear.
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24KT is based in the South Bay of Los Angeles where we’ve provided expert video production services since 1979. We service all So. California and beyond with videos for businesses, websites, social media, weddings, mitzvahs and other special events. We can assist you in English or Spanish.

Contact us at (310) 547 - 4702 or by email : marc@24ktsound.com. We gladly collaborate with out-of-town production companies and agencies.

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